Notes on Elements of Essays
Elements of Essays
1.1 The Essay as a Form of Literature
Essay is a form of literature which is persuasive in
nature. It is basically non fictional prose works of limited length. The word
essay is derived from the French verb essayer
which means to try or to attempt. The Frenchman Michel de
Montaigne (1533–1592) was the first author to describe his work as essays; he
used the term to characterize these as "attempts" to put his thoughts
adequately into writing, and his essays grew out of his commonplace
observations. It was used as a means of exploring himself and his ideas about
human experience. Generally, essay is regarded as a practical and factual piece
of writing which is designed to report something, or explain something, or make
a case for something. So essays are likely to be systematically organized,
factually detailed, closely reasoned and plainly written. Essays intend to get
something done. In another word, an essay is thinking on paper which can be
short or long, practical or playful, fictional or factual.
Main Idea
* Essay as persuasive &
non fictional literature
* The word essay derived from
the French verb essayer meaning to try
* Montaigne - as a means of
exploring himself and his ideas about human experience.
* Essayists write to make a
point and try to persuade
* Provides aesthetic pleasure
to its readers
* Utilitarian essays aim to
provide knowledge, to carry out action
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Another objective of writing essay is to provide
aesthetic pleasure to its readers. In other words, it aims at providing
pleasure to the readers. In this respect, it becomes literary. Rather than being
purely utilitarian, literary essays are written to achieve literary effects on
the readers. By using imaginative and literary forms of language, they lead us
away from this mundane world to another beautiful and imaginative world or
fictional world. It can be written with the purpose of entertainment. For
example, George Orwell in his essay ‘Shooting an Elephant’ not only makes a
persuasive point about political situation but he also tells a good story using
effective literary techniques and devices. Through this he generates aesthetic
pleasure to the readers. Essays are as complete and artistically effective as a
chair, a candle stick, or a bowl. They are useful and at the same time
beautiful. Essays are also not only practical but beautiful and pleasant also.
Literary essayists, instead of rousing us in to action, lead us to imaginative
and aesthetic contemplation.
Finally, an essayist is a more philosopher and less a
scientist. But he has the quality of all i.e. a poet, noveslist, etc. The
essayist can be compared with a person who performs his privacy and at the same
time invites us to look at his private affairs. Every essayist tries to provide
pleasure through his writing. He picks up the materials from day to day life
which comes as a surprise when we read them.
1.2 The Essay and Other Forms of Literature
Essay
is basically factual in detail and persuasive
in nature. It uses words to describe and establish particular idea. The essay
generally, uses words to establish some particular ideas which are directly
addressed to the readers. So, persuasion can be said to be the essence of an
essay. But essay can not totally confine itself only as a form of persuasion
rather it uses and employs the techniques and devices of other literary forms
like story, drama and poetry. Essays are often categorized depending on what
techniques and devices they employ. For instance, sometimes essays use story
telling narrative technique, some uses poetic meditation and some employs
dramatic elements like setting, characters and dialogue. The complex and rich
combination of such various possible forms and devices has often made essays a
distinct genre of literature. So an essay can be narrative, poetic or dramatic.
Main Idea
* Uses words to establish
ideas which are directly addressed to the readers
* It can use techniques and
devices of other genres
* Argumentative essays are
factual and persuasive in nature
* In narrative essay an
outside narrator tells a story
* Dramatic essay takes the
form of a dialogue between two or more characters
* In poetic essay the speaker
appears to be talking to himself
* Persuasion is at the heart
of all essays
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In
the same way, dramatic essay uses the
dramatic elements like setting, characters, dialogue and actions based on some
sort of realistic event. It takes the form of a dialogue between two or more
characters. And author is present only to perform the role of a director. He
sets the scene and identifies the characters whose words and actions are to be
witnessed by the readers.
Poetic essay concentrates on minor or small event in order to bring
sudden knowledge or understanding about some event or idea. In it the speaker
appears to be talking to himself rather than to the readers and others.
Whatever the author contemplates or meditates is not heard directly but
overheard by the readers.
The
four types of literary genres and their dominant qualities can be identified
with the help of the following diagram:
The above diagram presents the distinct and unique
literary features of each form of literature and their close relationship with
other genres. We can draw relationship among the above four dominant genres on
the basis of the purpose of how words are
used in them. Story and play, for instance, are closely related as they
both ‘use words to create imaginary
persons and events’. Similarly, essay and poem are closely related as they both
‘use words to express ideas and
feelings’. Again, on the basis of whether words are addressed directly or overheard
by the readers we can draw relationships between them. In story and essay, for
insance, ‘words are addressed directly to the readers while in play and poem
‘words are overheard by the raeders’. The above diagram shows that all the four
genres are related to one another, and that they share many qualities and
techniques of others.
All these convey that writing an essay means looking at
any event from a particular angle of the writer. When they describe something
they simply record what they see from their perspective. They implicitly ask us
to take their words for what it looks like. Thus persuasion is at the heart of
all essays. But yet the writers mingle the techniques and devices of other
literary forms like poetry, drama and the story.
1.3 The Essayist and the Reader
There is a close relationship between the essayists and the
readers. It is because the essayist plays the role of addresser and the
readers, in response, play the role of receivers. Sometime he does not address
the reader directly. While reading an essay we are likely to feel that the
author is directly speaking to us. Even if speaking indirectly, we take for
granted that the person we hear is nobody other than the essayist. If we think
about the matter seriously we will see that essayists are not exactly the same
in their essays as they are in real life. It means the person speaking in the
essay is a disguised or fictional personality rather than the real personality
of the essayist. They are made up of words but not of flesh and blood. That’s
why the personality in the essay is created one. The essayists create any
narrator who speaks for him. The essayist, thus, has dual personalities, one as
an essayist and another as a person. Thus the particular personality conveyed
in an essay is always in some sense a fiction
because they are imaginative in nature rather than real and created sometimes
out of words alone.
Essayists
can create any impression of themselves that they wish. It means the same
essayist may appear in different personality in different essays. They can
appear stuffy (boring) or relaxed, serious or flippant (superficial), confident
or nervous, wise or foolish. The possibilities are limitless and they are a
product not only of what the essayist has to say but also of how they say it.
He may choose any position or any way of speaking that’s why, for a reader it
is important to observe the style of the essayist.
Main Idea
* The essayists and the
readers have close relationship
* The speaker/narrator in the
essay is not the author
* The person speaking in the
essay is a fictional personality of the essayist
* The essayis can create any
personality for his narrator: stuffy, serious, flippant, foolish
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1.4 Approaching an Essay
In
approaching an essay we should first read it through for our own pleasure.
Following this first reading, we should review it quickly and assign it
tentatively to one of four types i.e. narrative essay, dramatic, essay,
meditative or poetic essay and persuasive essay.
We
can approach any literary essay by following the strategies given below:
i) Approaching
a Persuasive or Argumentative essay: If the essay is directly persuasive-argumentative read it a second time, more analytically than the
first time. Then we should examine its arrangement to see how the author has
structured his persuasion. We should examine its arguments, particularly any
analogies used or assertions made, for (a) their accuracy in themselves, and
(b) the extent of their relevance to the point being made. We should consider
any assumptions required by these assertions or analogies. Then we should
consider the personality of the essayist and the kind of role it invites you to
play. Finally, formulate your response to the view presented and evaluate the
presentation.
ii) Approaching
a Narrative essay: If the essay in narrative,
we should pay attention to its narrative elements in our second reading. We
should try to divide the story into its meaningful parts and consider the way
description, dialogue, and commentary work in each part-how they contribute to
the events being narrated. After we have focused on these elements, we should
look for passages of special thematic import in which the author steps back
from the story to comment on its significance, to offer an interpretation of
the story. We should consider the persuasive force of the story in supporting
the ideas the author is proposing. Then we should consider the implied personality
of the essayist both during the narrative sections and the interpretive parts,
and how that affects our response to the essay. Finally, we might ask ourselves
if we find the essay convincing-both as narrative and persuasion.
iii)
Approaching a Meditative or Poetic essay: If
the essay is meditative, our
re-readings should be especially close and careful in their attention to the
associative play of mind with words, images, and ideas. We should consider how
one detail generates, or suggests, another, and explain, if we can, the process
that leads the author from one detail or idea to the next. The sort of
examination that we think of as appropriate for poetry is appropriate for the
meditative essay as well. We should pay special attention, then, to tone and
imagery. Only after we have made an investigation of this kind should we begin
to ask questions about the persuasive dimension of the essay.
iv)
Approaching a Dramatic essay: If the
essay is in dialogue form, our second
reading should concentrate on its dramatic elements- character, setting, and a
plot. We should consider whether any one character seems to speak with the
author's authority behind him; and if we feel this to be the case, we should
investigate the details that have led us to that view, in order to determine
whether the evidence is really sufficient for this to be an appropriate
response. We should be alert for any words of scene-setting, as this may be a
way of inserting some narrative commentary into a dialogue. The scene-setter
may speak with the author's voice. Finally, we should look for some dramatic
movement toward a climax, in order to determine the relation between the
dramatic form and the persuasive purpose of the essay.
v)
Approaching essay that borrows elements from
other forms: An essay may in fact be a combination of the basic form,
and the longer it is, the more likely is it to combine the various
possibilities in rich and complex ways. We should try to be tactful and vary
our approach to suit and the various in the work we are reading. We should
remember that reading an essay or any other work of literature, like carrying
on a human relationship, requires attentiveness, flexibility, and
responsiveness.
vi)
When we read poetry, drama and
fiction, we should be alert for the essay-like dimensions of these literary
forms. The ability to analyze the essay with sense and sensibility will stand
us in good position dealing with different literary forms.
2. Types of Literary Essays
2.1 The essay as argument: Persuasion (Argumentative
Essay)
Main Idea
* Persuasion is the main goal of this essay
* Use of supporting points, examples,
reasons and references.
* Simple and direct sentences
* Stated boldly
* Main idea is given in the very beginning
* Use of analogy
* Technique of comparision and constrast
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Unlike meditative essays, which are loose in structure and informal in
tone, argumentative essays make their claims directly and explicitly. Though argumentative essays assume various
patterns of organization, they share a basic concern: to establish a point by
providing evidence to support it. The
support may take the form of examples, analogies, facts, statistics, anecdote,
and evidence. In addition, argumentative
essayists may present counterviews and counterarguments either to dismiss or
demolish them.
First of all
simplicity and directness is the major feature of persuasive essay. The main
point is simply and directly stated in persuasive essay so that the readers may
easily understand it. For example in ‘Cocksure Women and Hensure Men’, D.H.
Lawrence in the very first line simply and directly states that there are two
types of qualities of women: demure and dauntless.
Use of analogy
as subpoint or supportive point is another feature of persuasive essay. Analogy
is to make or create a situation with objects and activities having certain
atmosphere which is comparable to major point or major situation. Analogy enables
writer to convince the reader by making comparison. For example, Lawrence
presents the condition of modern women because of their cocksureness in the
essay ‘Cocksure Women and Hensure Men’ by using the analogy of a chicken farm
and hens’ activities which is unnatural and unusual.
When the essay is argumentative, the essayist acts as a speaker and
tries to establish a point. Main points are usually given in the beginning of
the essay. To support the main point the analogy must be suitable. In other words,
the success of the essayist depends on the reasonable and appropriate use of
analogy.
Finally the
use of examples and references, analysis etc. also can be used to make the
argumentative point strong and convincing in the persuasive essay. For example,
D. H. Lawrence brings the analogy of chicken farm to express the features of
modern men and women.
2.2 The essay as story: History
It uses
elements of story like narrator and narrative stories based on some specific
historical event. Essay is persuasive by nature. Though essay is persuasive; it
sometimes uses the elements of story. In narrative essay, there is a narrator.
The narrator tells a story. But the story told in narrative essay has some sort
of connection to the historical event.
Midway
between the formality of the argumentative essay and the informality of the meditative
essay are narrative essays. Narrative
essays include stories, sometimes a single incident, as in George ‘Orwell’s
“Shooting an Elephant” (1936), or sometimes multiple events, as in Ephron’s
‘The Hurled Ashtray’. The stories in
narrative essays are almost always autobiographical: they form a part of the
writer’s experience.
Such narrative
story in essay is built around a specific event or situation having the
existence in particular time and space. Narrative essay becomes a record of
such historical event. The story told in an essay remains either highly
personal or autobiographical, or as impersonal as a journalistic story of
current affairs. It focuses on a particular event or sequence of events. It may concentrate on a place or person.
Through all these it tells us the "truth" about something that is
itself factual or historical.
Main Idea
* It uses elements of story
* The story has connection to the historical
event
* It focuses on a particular event or
sequence of events
* The events exist in
particular time and space
* It tells us the "truth" about
something that is itself factual or historical
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But even in
cases where the story in such an essay is fictional rather than factual, it is
used to make a point—the idea is primary.
This distinguishes a narrative essay from a short story in which an idea
may be inherent in the work, but where the fictional story as such takes
precedence over any idea we may derive from it.
‘Orwell’s “Shooting an Elephant” for example consists largely of the
story of how Orwell (or a fictional character) shot an elephant. Although the incident possesses considerable
interest as a story, its primary purpose is to advance an idea about
imperialism, which is presented explicitly midway through the essay and is
referred to again at the end—repetition for thematic emphasis.
2.3 The Essay as Poem: Meditation
Main Idea
* It uses poetic techniques and devices
* Pondering and thinking to find truth but
not to establish persuasive point
* Inconsistency of mind
* Jump from one topic to another without
logical point
* Use of symbols and images
* It usually takes its form from the way
thought flows in the mind of the writer
* They are loose in structure and informal
in tone
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Writers
of meditative essays seem less interested in advancing argument than in
exploring them. They prefer thinking
around ideas rather than thinking through them.
Rather than take readers on a clearly marked journey from point A
through point B to point C, they often invite readers to accompany them on an
excursion into thought. This is not to
suggest that a speculative essay makes no point. In fact, it may make multiple points. But it does not have a single-clear-cut
thesis as narrative and expository essays often do.
First
of all meditative essay has contains inconsistency of the mind of its persona.
It refers to uncertainty and contradiction of mind. The persona of meditative
essay is put in such a difficult condition that his mind remains inconsistent
about what to do and not to do, what to think and not to think. The persona’s
mind jumps from one topic to another topic without logical relationships.
For
example, in the essay ‘Spring (April 1941)’ by E.B. White, the speaker is in
such a condition that his mind jumps from hog to superman to little woman to
lamb to snakes. There is jump from one point to another. In the same way, the
use of paradox is another feature of meditative essay. As a persona is in
conflict and contradictions, he falls in a paradoxical condition. Paradox of
mind is presented through the technique of paradox which means putting
opposites together. For example the very first fragmented single sentence
paragraph of Spring puts together spring time and intoxication together. In
fact, spring time is the time of merry making, rejoicing and recreating but
such spring time is paradoxically full of intoxication or worries or tensions.
Finally
use of symbols and images is also very strong in meditative essay. In a
persuasive essay, some objects and atmosphere stand analogically to support
persuasive point and convince the readers upon that point. But such objects and
situations in meditative essay stands as symbols and images making references
or providing implication to certain truth. They carry metaphorical meaning
going beyond them.
2.4 The Essay as Play: Dialogue
Main Idea
* Dramatic essay use elements like setting,
plot, character, dialogue, actions etc.
* Its plot has some sort of realistic and
historical background.
* The
essayist establishes his point through characters, plot, dialogue, and action.
* In such dramatic essays, the persuasive
point is implied through the characters’ voice
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For example,
‘Our Graves in Gallipoli’ by E.M. Foster is perfect example of dramatic essay.
In this essay the writer has presented two graves on the hill of AchiBaba
having conversation about war. Though it is dramatic in its setting, it has
persuasive point of essayist carried by common voice of two graves. It is ‘war
is destructive’. War is fought only for power and position which is beneficial
only to rulers but not to common people and soldiers. It has the persuasive
point of fraternity, equality and internationalism.
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